Self Portrait as Vanishing Act, Lily Poetry Review Books, 2025 and Unruly Tree: Poems, UNM, 2024. Clear, sensuous, and accessible, Leslie Ullman’s poems exhibit the vast scope of creative imagination in her two new poetry collections, Unruly Tree: Poems and Self-Portrait as Vanishing Act. Striking for their sharp focus and mesmerizing for their rich vocabulary,…
When a friendly reader of my poems posed the question, “Why Sappho?” I could only offer an inane response: “I have no idea.” I felt utterly at sea while casting about for reasons that might make sense in the digital, polluted twenty-first century with its driverless cars and crypto currency. To me, the answer seemed…
As soon as I finish writing a poem, I need someone to read it. “Finish” is really the wrong word, since nearly every piece of writing can be improved. I find it difficult to bracket my mental framework long enough to evaluate my writing from the outside. Improvement requires fresh perspective. I need astute and…
I never intended to write Sappho Prompts, my first full-length poetry collection. The project came to birth of its own accord. Like a growing child, the book assumed many forms before achieving adulthood. Even now, I sometimes suspect the contents might morph between the covers while I’m not looking. The First Attempt It all started…
Strisik, Catherine. 2025. Goat, Goddess, Moon. Holy Cow! Press.
It begins in Amygdaliés, her great grandmother’s village in north-central Greece. Here, the opening poem discloses, is the love/poem with the seed,/the source of what was/buried and what was dug/what is nutrient. Amygdaliés is aptly named with the Greek word for “almond,” which also designates the almond-shaped biological structure…
